Empowering young Australians to be a clear Christian voice
End Credits is a documentary on the practice of euthanasia in Belgium 10 years after it was legalized in 2002.
It follows the dying and death of two people, whom the film makers describe as follows: “Adelin, 83, and Eva, 34, two very different people, who are at the dawn of the end of their lives, ask for help with and care for a decent passing away.”
Adelin has given his consent to euthanasia in an advance directive executed when he was competent. His physician is trying to determine whether Adelin still wants to go ahead with the procedure. Adelin’s nephew, a middle-aged man, is sitting beside his bed. He urges the physician to administer a lethal injection, because, he says, his uncle is no longer mentally competent, so can’t validly change his mind about euthanasia. The physician continues to try to clarify with the old man whether he wants euthanasia.
Suddenly, Adelin has a burst of energy and seeming lucidity, and shouts, “You want to kill me,” and is clearly horrified by the thought. He is not euthanized and some time later dies a natural death.
Margaret Somerville has some important insights into the film. She says:
End Credits provides an opportunity to understand some of the ways in which people who are pro-euthanasia and those who are anti-euthanasia radically differ in how they view both dying and death, and what euthanasia involves. And those differences reflect profound differences in what we believe it means to be human and what respect for both individual human life and upholding the value of human life, in general, in our society requires that we not do.
See more on Mercatornet here.